I'll be there at Wall Space Gallery from 1-4pm, hope to see you there!
Here are some of the paintings,
Cheers,
Marcel
I'm a Canadian artist. If it's quiet here, it's because I'm in the studio, if not, it's because I _should_ be in the studio and I'm procrastinating. My website with all the artwork. Scatterbrains and rantings on Twitter: @marcel_g, work in progress/studio disaster photos on my Instagram and my Tumblr
I'll be there at Wall Space Gallery from 1-4pm, hope to see you there!
Here are some of the paintings,
Cheers,
Marcel
The servers are getting some maintenance apparently. Sorry for the inconvenience. Check my Instagram for recent art work.
![]() |
| Edge of Town (detail) |
Undertexting artist statement
Undertexting describes a new art making process I've developed, as well as the idea that we as human beings use stories to understand everything in our lives; that the cultural context of everything we've read and watched and listened to forms the underlying context of almost every moment that we live.
One could also say that undertexting is about the relativity of meaning, that all meaning is only ever understood within a cultural context, and how that cultural context is formed by the stories we consume. [One could also say that it's about how the background context of how we understand things is often a jumble, but that might just be a reflection of the disarray in my own mind.]
As a art making process, Undertexting starts with a layer of torn photocopies of pages from my favourite books, mostly novels, that I paste on to the panel over top of the original drawings. I then paint on top of that with thin layers of paint (much thinner than I'd been using in the past) allowing you to see some of the underlying text, making that cultural context more explicit and part of the visual story.
Undertexting is a new art making process for me not only because of the underlying layers of text, but also because I've completely changed how the paintings look: I've begun to explicitly incorporate things from my background in comics. These include the use of inset panels, which I'm using to show key scenes in the stories the paintings are describing, and the use of more abstract line and flat colour based backgrounds, which set the emotional contexts and the settings for the stories they tell.
When people would ask me what my paintings were about before Undertexting, I usually said that they were scenes from imaginary novels, or what it felt and looked like to be in an imaginary novel. These new paintings that make up Undertexting are, with their underlying layers of text and their use of visual storytelling elements from the comics medium, even more about scenes from, or being inside of, imaginary novels. I hope you enjoy them.
Cheers,
Marcel Guldemond
When: February 2015, opening Saturday February 7, 2-4pm
Where: The Elaine Fleck Gallery, 888 queen St w, Toronto
Hi Everyone,
(Note: this is the same as an email I just sent to my mailing list)
As I mentioned in my previous email, rebuilding my artistic process has turned out to be a lot harder than I thought it would be. I'm happy to say though, that I'm finally getting some results that justify the hard work, uncertainty, and the potential for a serious artistic disaster. Maybe I'm being overly dramatic, but sometimes in the middle of a long process like that when you don't know if it's going to work out on the other side and you have no idea if you know what you're doing, it definitely feels like an impending disaster of your own making. Fortunately I seem to have avoided that disaster thing. (If the following text is underlined, I don't know why that is, just that this Blogsy editor is kinda buggy)
I'd just like to say that I have a show coming up in Toronto featuring the new painting style that I've been developing over the past year or so. The name I'm going with for this new style, and this show, is 'undertexting'. This will be the first time this new style of work will be seen in public.
Thanks so much for reading,
cheers,
Marcel